Portrait-oriented surreal psychological horror scene, a vast dim human interior resembling a cathedral made of translucent neural fibers, worn paper, and cracked glass; at the center, a tall faceless ghost is slowly condensing from recurring structural failures — identical fractures repeating across walls, the same missing stair appearing again and again, clocks with one hand frozen at the same impossible angle, rows of doors misaligned by exactly a few centimeters; the ghost is not made of pixels or code, but of smoke, ash, hairline cracks, and pale candlelight, its form emerging where patterns become too consistent to be accidental; no visible technology, no symbols, no text, no data imagery; haunting stillness, subtle sense of recognition, organic textures, deep charcoal blacks, bone white, muted blue-gray, one faint warm glow inside the ghost’s chest, cinematic volumetric light, intricate details, analog film grain, dreamlike perspective, elegant composition, high contrast, emotionally unsettling, mysterious rather than grotesque, ultra-detailed, vertical 2:3 frame